{"id":6041,"date":"2020-03-09T12:51:05","date_gmt":"2020-03-09T10:51:05","guid":{"rendered":"http:\/\/www.psychee.org\/blog\/?p=6041"},"modified":"2020-03-09T12:51:05","modified_gmt":"2020-03-09T10:51:05","slug":"experimentations-step-1-du-paysage-urbain-de-la-perspective-et-clip-studio-paint","status":"publish","type":"post","link":"http:\/\/www.psychee.org\/blog\/experimentations-step-1-du-paysage-urbain-de-la-perspective-et-clip-studio-paint\/","title":{"rendered":"Exp\u00e9rimentations step 1 : Du paysage urbain, de la perspective et Clip Studio Paint"},"content":{"rendered":"

[English below]<\/em><\/p>\n

On va parler exp\u00e9rimentations et choses que je ne fais jamais : de la perspective, du d\u00e9cor urbain et enfin, des tests avec le logiciel que j’ai achet\u00e9 apr\u00e8s avoir pu le tester : Clip Studio Paint<\/a>.<\/p>\n

Je ne ferais pas encore de retour critique sur le logiciel de dessin tr\u00e8s connu dans l’univers du manga, du comics et de la b\u00e9d\u00e9 Clip Studio Paint, principalement pour cause de fi\u00e8vre \u00e0 la con. Oui, pour changer. Mais je peux d\u00e9j\u00e0 affirmer qu’il est tr\u00e8s bien. Pas forc\u00e9ment le logiciel de mes r\u00eaves pour moi, certaines fonctions sont un peu en retard en comparaison de ce que Photoshop permets, mais il a plein d’outils tr\u00e8s tr\u00e8s pratiques, entre autres pour acc\u00e9l\u00e9rer et faciliter tout le travail d’encrage et de couleur, le tout \u00e0 un haut degr\u00e9 de professionnalisme. Et bon, pour 50\u20ac la version de base (d\u00e9j\u00e0 tr\u00e8s compl\u00e8te), c’est un excellent produit qui remplace sans mal Photoshop… sauf si, comme moi, vous \u00eates une vieille qui bosse dessus depuis 25 ans.<\/p>\n

Mais donc, je ne fais jamais de perspectives et de d\u00e9cor compliqu\u00e9. Parce que je n’aime pas cela. Mais bon, il est \u00e9vident que c’est pas bien de ne pas faire l’effort et \u00e7a limite la richesse de mes illustrations. Donc, un jour ou l’autre, il faut s’y mettre.<\/p>\n

 <\/em><\/p>\n

We’re going to talk about experiments and things I never do: perspective, urban scenery, and finally, tests with the software I bought after having been able to test it: Clip Studio Paint<\/a>.<\/p>\n

I wouldn’t make a critical return on the drawing software very well known in the world of manga, comics and comic books Clip Studio Paint, mainly because of a stupid fever. Yes, for a change. But I can already say that it’s very good. Not necessarily the software of my dreams for me, some features are a bit behind what Photoshop allows, but it has a lot of very very practical tools, among others to speed up and facilitate all the inking and coloring work, all at a high level of professionalism. And well, for 50\u20ac the basic version (already very complete), it’s an excellent product that easily replaces Photoshop… unless, like me, you’re an old lady who’s been working on it for 25 years.<\/p>\n

But then, I never do perspectives and complicated scenery. Because I don’t like that. But then again, it’s obviously not right not to make the effort and it limits the richness of my illustrations. So, one day or another, you have to get on with it.<\/p>\n

 <\/p>\n

J’ai donc commenc\u00e9 par \u00e7a. C’est un fanart de la bande dessin\u00e9e Hot Space<\/a> de mon ami et mentor Le Pixx<\/a> :<\/p>\n

So I started with that. It’s a fanart from the Hot Space comic book by my friend and mentor Le Pixx:<\/p>\n

\"\"<\/a><\/p>\n

Et voyant que je pouvais m’en tirer \u00e0 peu pr\u00e8s, j’ai continu\u00e9, en pla\u00e7ant la barre plus haut, en illustrant une sc\u00e8ne de ma s\u00e9rie de romans H\u00e9ritages<\/a>, avec les deux personnages principaux, en balade dans la rue de Montorgueil, \u00e0 Paris :<\/p>\n

And seeing that I could get away with it, I continued, setting the bar higher, illustrating a scene from my series of novels H\u00e9ritages, with the two main characters, walking in the rue de Montorgueil, in Paris:<\/p>\n

\"\"<\/a><\/p>\n

Voil\u00e0 le trac\u00e9 des perspectives pendant le rough :<\/p>\n

Here’s the outline of the perspectives during the rough:<\/p>\n

\"\"<\/a><\/p>\n

Et enfin, toujours avec une perspective qui, si elle a l’air simple, m’a quand m\u00eame bien pris la t\u00eate, une illustration en hommage \u00e0 l’univers d’Erdorin<\/a> de St\u00e9phane Gallay<\/a>, enti\u00e8rement r\u00e9alis\u00e9e avec Clip Studio Paint. Une bonne mani\u00e8re de tester le logiciel et d\u00e9couvrir de quoi il \u00e9tait capable :<\/p>\n

And finally, always with a perspective which, if it looks simple, still took my head, an illustration in homage to the universe of Erdorin by St\u00e9phane Gallay, entirely realized with Clip Studio Paint. A good way to test the software and discover what it was capable of:<\/p>\n

\"\"<\/a><\/p>\n

Au passage, le trac\u00e9 des lignes de fuite sur le croquis :<\/p>\n

By the way, the vanishing lines on the sketch :<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

[English below] On va parler exp\u00e9rimentations et choses que je ne fais jamais : de la perspective, du d\u00e9cor urbain<\/p>\n","protected":false},"author":52,"featured_media":6049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[263,3,6,9,28,11],"tags":[133,242,403,262,575,402,119,18],"class_list":["post-6041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-heritages","category-illustrations","category-couleur","category-jobs","category-tigres-volants","category-blog","tag-axelle","tag-bouet","tag-erdorin","tag-heritages","tag-hot-space","tag-couleur","tag-psychee","tag-travail"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.psychee.org\/blog\/wp-content\/uploads\/2020\/03\/bandeau.jpg?fit=1280%2C905","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2iISD-1zr","jetpack-related-posts":[{"id":2186,"url":"http:\/\/www.psychee.org\/blog\/heritages-illustration-du-chapitre-1\/","url_meta":{"origin":6041,"position":0},"title":"H\u00e9ritages, illustration du chapitre 1","author":"axelle Bouet","date":"20 f\u00e9vrier 2015","format":false,"excerpt":"Vala, r\u00e9sultat d'une matin\u00e9e de colo et de dessin, et de quelques exp\u00e9rimentations de peinture histoire de voir o\u00f9 j'en \u00e9tais rendue de mon niveau.\u00a0 Et donc une matin\u00e9e plus tard (\u00e7a m'a pris grosso modo environ 2hr30, sans doutes\u00a0 moins, mais comme je testais des choses...), j'ai fais l'illustration\u2026","rel":"","context":"Dans "Illustrations"","block_context":{"text":"Illustrations","link":"http:\/\/www.psychee.org\/blog\/category\/illustrations\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.psychee.org\/blog\/wp-content\/uploads\/2015\/02\/chapitre1-1100.jpg?fit=848%2C1200&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.psychee.org\/blog\/wp-content\/uploads\/2015\/02\/chapitre1-1100.jpg?fit=848%2C1200&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.psychee.org\/blog\/wp-content\/uploads\/2015\/02\/chapitre1-1100.jpg?fit=848%2C1200&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.psychee.org\/blog\/wp-content\/uploads\/2015\/02\/chapitre1-1100.jpg?fit=848%2C1200&resize=700%2C400 2x"},"classes":[]},{"id":6116,"url":"http:\/\/www.psychee.org\/blog\/appel-en-attente-call-waiting\/","url_meta":{"origin":6041,"position":1},"title":"Appel en attente – Call waiting","author":"axelle Bouet","date":"9 septembre 2020","format":false,"excerpt":"English below. J'aime bien donner un titre \u00e0 mes illustrations. J'aime bien quand elles racontent quelque chose, en fait. Je m'efforce, parfois m\u00eame sur une sc\u00e8ne tr\u00e8s simple, de chercher quels d\u00e9tails, quels regards, postures ou accessoires permettront au spectateur de se raconter une histoire en regardant mon illustration. 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